08 September 2011

The Forgotten Coast

Brittany's northern coast is a beautiful, salty stretch of land. This is far from the sand and glamor of the Côte d'Azur and the Aquitaine coast, and has none of the tourist and war hubs of Normandy or the dramatic cliffs of Picardy. Even the southern coast of Brittany is better traveled, with Morbihan's broad beaches and milder weather. But there is a lot here, in what is called "La Côte d'Emeraude" (the "Emerald Coast"). One senses that it is a forgotten region, with things to discover and unspoiled, quiet stretches that are both lonely and lovely.
The tourism that is here mostly spills westward along the eastern stretch of land. Visitors to Mont Saint-Michel and the Normandy hordes make small inroads and daytrips along the shore, most making it no further than St. Malo, the medieval walled city on the bay. Cancale, where we stopped for oysters, is busy, and some of the beaches along that way are sandy enough for lounging, but the crowds thin as the land grows rougher.
By Paimpol, about halfway out Brittany's spit of land, trawlers and fishing vessels outnumber pleasurecraft, and the waterfront cafes are full of crewmen. The land might seem meager, but the waters are rich with life, and small boats are able to turn a profit in the surrounding coves and further out in the English channel. More than half of France's domestic fishing haul is caught by boats based in Brittany. Three quarters of the domestic mussels are also sourced from here, and 100,000 tons of seaweed is harvested annually. Pretty harbor towns are tucked into coves, where men still sing sea shanties in the evenings and wear galoshes and slickers.
Brittany is a Celtic land, with it's own dialect - Breton, or Brehoneg in Gaelic. While only about three percent of the population is still fluent in the tongue, the local accent is heavily influenced and the culture is decidedly different than the rest of France. Bagpipes play on the radio, beer and cider are more popular than wine, the widespread catholicism has more Welsh and Irish traditions than French. The people have warily embraced France, but there's a long history of persecution against the Bretons, and a strong sense of independence.
Still, some of the things that are most stereotypically French have their roots in this stretch of coast. Galettes and crêpes were created here, and the black and white striped shirts (and wide straw hats) of lore had their origins with the "Onion Johnnies" that travelled from Roscoff to Great Britain in the 19th and early 20th centuries. Onion farmers from the coastal region used to travel by ferry to England's coast, where they would sell their harvest on their bicycles, dressed in the distinctive clothing of the region.
The small, slate-roofed town of Paimpol, where we have been staying, was once an important cod fishing center, with scores of boats and an economy dominated by the catch. For hundreds of years, and as late as the 19th century, crews left from here in search of "la morue", spending stretches of six to eight months on the sea. During the latter part of Paimpol's history with cod, the boats spent most of their time off the coast of Iceland, where the fish bred and spawned. A fascinating museum in the town details the life of the seamen and features a great collection of model ships and nautical paraphernalia.It's strange to see people sitting on the pebbly sand in sweaters and long pants, their hair whipped by a cool wind. A cold coast conjures up involuntary thoughts of sun and warmth, but none of the heat-innebriated, uninhibited surrender of a July weekend. A kind of mournful quietness comes over every seaside town in September. It's accentuated what we've felt here, that we have come to the end of both France's land and its frenetic season. Our campsite has been growing emptier every day, the seaside walkway feels more deserted. A period of cool weather and rain has swept in off the straight, and the smell of autumn mixes with the rotting kelp and salt air.

07 September 2011

Gypsy Kitchens: Moules à la Bretonne

We cook mussels a lot because they are so simple, cheap and delicious. There may not be another dish that is this easy and feels as luxurious. On the northern coast of Brittany - Breton in Gallic, Bretagne in French - camping near the chilly, autumnal Atlantic, it finally seemed like the right time to do a Gypsy Kitchens post about this standby. We dressed them up a little, giving this version a regional twist and a more substantial broth (heartier, one might say, to get us through a cool night in the tent). Here, then, is our cider and white-bean recipe for mussels, what we are calling "Moules à la Bretonne."
Of course, Mussels don't require a recipe at all. Often, there is nothing worth doing to them except adding a little wine and garlic, steaming and serving. The idea, here, was to focus on the broth. This region, along with Normandy, is famous for its apples and ciders, and it seemed appropriate to use a local tipple in place of the typical white wine or vermouth. It should be noted that this is a hard cider, and a dry one at that. One could use a sweet, fresh cider, but it might be a little overwhelming. To make everything even more fun, we chopped up some ginger to accompany the shallot and garlic in the base.
Using a good dose of olive oil or butter, soften a finely-chopped shallot or yellow onion (or two shallots, or even a few leeks) in a pot that's large enough for all of the shells. Cook the well-minced ginger with the onion - use as much as seems right to you, anywhere from a tablespoon to several - and notice one of the best smells in cooking as the two roots mingle and become aromatic. Add the garlic when the onions are just on the verge of browning, cook a few seconds more, then add the white beans. Because we're on a campsite, the beans came from a can. Warm up the beans, then add the mussels, some cider and cover the pot.
Backing up a moment here, it might be worth mentioning that picking through your shellfish beforehand is always a good idea. Discard any badly broken mussels and any that are wide open. If the shell is open a little, and stays closed when you squeeze it, it's likely fine. Also, pull out any bits of detritus stuck in the cracks, and - if you can bare one more step - give the guys a good rinse in cold water before cooking. We probably don't have to tell anyone not to eat any mussels that haven't opened when they're cooked, or any that smell foul. One more note - there is a lot of salt in most shellfish, so adding more is never necessary, no matter how much you want to.
Cook the mussels for about twelve minutes, keeping the pot covered the entire time. If the shells haven't opened after twelve minutes, cook them for another three or four minutes. Then - and this sounds silly, but it's true - you're done. Just put the mussels in bowls, ladle some of the broth over the top and eat.
The broth was actually even better than we'd hoped. As the breeze got cooler and more blustery, we huddled at the picnic table, eating bowl after bowl. The local mussels were delicious and tender. The slight sweetness of the cider counteracted the brine in the broth to perfection, and the beans gave the juice a nice focal point.
A funny thing about mussels - they always fill you up more than expected. After finishing the dishes (there weren't many to do), we got into the tent feeling stuffed. Listening to the sea and the wind outside we talked about how satisfyingly maritime the evening had been.

Here's the recipe, as laughably easy as it is...
Moules à la Bretonne
Ingredients:
3 to 4 pounds mussels, cleaned well and bought fresh
1 can white beans, rinsed
2 shallots, minced
3 tablespoons ginger, finely minced
2 cloves garlic, smashed and minced
2 to 3 cups dry, alcoholic cider
Olive oil or butter

The Process:
- Clean and rinse the mussels, discarding any broken or wide open specimens.
- In a pot that is at least 1 and 1/3 the size of all the mussels (to account for the shells opening and expanding, which they will), lightly saute the shallots and ginger until the shallots have softened, but not browned.
- Add the garlic and cook for a few moments. Pour in the beans and cook until warmed through, about two minutes.
- Add the mussels and the cider and cover tightly. Turn the heat up to medium high, lowering if the pot begins to boil over.
- Cook 12 minutes, or until most of the shells have opened. Remove from the heat and serve as immediately as possible.

Aw, Shucks!

The Cancalaise have been living l'huître life for centuries. It’s said that Louis XIV stocked Varsailles with oysters from the small fishing town of Cancale. Well, if they’re good enough for Louis… It’s considered the ‘oyster capital of France,’ partly due to that fact, but more-so because their tradition of oyster farming dates back to Roman times. Yes, even before man figured out how to make ice. Of the 130,000 or so tons of oysters harvested in France annually, around 25,000 come from Cancale. I’m sure a number of them wind up on menus in Paris, Lyon, Lille, but a good amount are sold and consumed right here.
This cultural status is no secret and the town gets its share of tourists. While the high-season for beaching and sunning is coming to an end, the oyster season is just beginning. They come to eat oysters, of course, but also to see the 7.3 sq kilometers of oyster beds that are said to be visible from the pier. I’m not sure how we missed them, but I blame oyster-consumption-anticipation. I also partially blame Mont Saint Michel, whose fuzzy silhouette could be made out in the distance. A fine distraction.
We were brought to Cancale by a need to eat, stretch our legs and stay awake during the long drive from Paris to Paimpol. Frustrated by the lack of roadside minimarts, which usually provide us with some sort of snack and the double jolt of caffeine and fluorescent lighting, we decided on this detour. It’s pretty hard to complain about a country’s lack of gas station sustenance options when you wind up in a place like this.
The daily oyster market takes place right under the lighthouse, making it particularly easy to find. Six nearly identical stands stood facing one another, four of which were open and three of which were currently manned. We arbitrarily chose one, where this woman sold us a half dozen for 5 euros (there were some for 4 euros, but Merlin has an understandable – probably wise - aversion to discounted shellfish). We opted for the 50 cent shucking service, which was a quick flick of the wrist for her, but would have been a trial by Leatherman for us. We also decided to splurge on a 50 cent lemon wedge.
We took our place on the steps nearby and went about enjoying our little feast. The oysters were briny and sweet and as fresh as can be. The lemon, which was heavy with ripeness, made them even more delicious. As appealing as the bistros that lined the boardwalk - with their chalkboards touting ½ dozen oysters and a glass of Champagne – were, this was exactly the perfect Cancalais huitre experience. When the air is salty and you see and smell ocean all around you - and the sound of seagulls punctuate the melodic waves, lapping up a few feet away – oysters just taste better.
Just like lobster, oysters were originally considered a working class food, a plentiful source of nutrition for people in port towns, long before they became a delicacy. Oysters seem almost luxurious in most settings, served on their bed of ice jewels, uncorrupted. They are undoubtedly the pride of Cancale, but there is a wonderful lack of fanfare. We ate our oysters amid piles of shells, and discarded our own in the same way - clank slurp clank. A quick lemon squeeze wash of the hands and we were back on our way, on the road. A wonderful pit stop.

04 September 2011

Very Parisian French Food

A German man once asked me what I liked about New York (he didn't like the place). I told him that one could travel anywhere in the world without leaving New York's boroughs - it is, in my opinion, the most diverse and interesting city on earth. He sneered and asked, "but you think that's a good thing?" Yes, in fact, I do.
My favorite thing about Paris is that it is so multi-ethnic, multi-religious and interesting. Like New York, it has attracted people from all over the globe, people who have not only created enclaves, but have changed the entire culture of the city. One of the biggest beneficiaries of this mixing of global currents is Paris' cuisine, which is increasingly good because of influences from - in particular - Asian, Caribbean, middle-eastern and African immigrants. The above picture was taken at Waly Fay, a Senegalese restaurant in the 11e arrondissement.
The food at Waly Fay borrows heavily from French techniques and from Creole tradition, but is entirely different from anything I'd tried before. The Tiep Bou Dien - a mound of grouper, African cabbage, carrots and cassava - was thickly coated with a spicy, fish gravy that melded peanut and wine. We drank French Bandol rosé with it and watched as the tables around us filled with stylish young men and women. The realization: it not only feels like a typical bistro, but it really is a typical bistro.
Almost a decade ago, I lived in a grubby (but respectable) rooming house off Boulevard de Rochechouart, in the northern reaches of central Paris. At the time, it wasn't a very welcoming neighborhood, with a lot of hashish peddlers and furtive men on their way to and from the nearby red-light district. It was wonderful, though, because of its Tunisian, Moroccan and Algerian population. Huge fabric markets choked the sidewalk, men in Daishikis strolled the streets and there was a whole universe of spices and foods that fascinated me.
Returning a few days ago, I found the area much gentrified, with some shiny new French bistros and a lot of tourists. My favorite old Tunisian cous cous place was still there, though, and we stopped in for a quick lunch. The starch is served dry, with a bowl of stewed vegetables and - if you'd like - big hunks of lamb and long, thin Merguez sausages. Fittingly, their beverage cooler is mostly full of Perrier, Orangina and Volvic. (The name of the place is El Jawhara)
Immigration into France has long been dominated by French speaking people – newcomers from the colonies of Algeria, Senegal and Ghana, and from Francophile countries like Vietnam, Laos and French Guyana. Not everyone comes because of a shared tongue, though. There has long been a large group of Moroccans, Tunisians, Lebanese and Turks, many of whom made their way to Paris by way of the Mediterranean and Marseille. At the Marché Bastille, most of these people are well represented, and their food is everywhere. We ate Lebaneses “Manouchés” from one stand – flatbread like things stuffed with spinach, garlic and lemon. A Moroccan woman stood behind this table, selling various salads and pan-fried goods.
From her, we bought a spiced mélange of carrots and two sardine fritters. The fish had been flattened out and stuck together with a paste of herbs and onion, then cooked in oil until crisp. They were delicious with an Algerian Tabouleh from yet another stand, eaten all together on a bench near the Bastille roundabout.
I was on a search for Phở one day at noon, and ducked into a nondescript storefront that promised Vietnamese specialties. The noodles that I was after are popular in some districts, enough so that entire restaurants are devoted only to them. Unfortunately, all the dishes on the Vietnamese section of this particular menu seemed to owe more to Cantonese cuisine than to that of Hanoi. In a nod towards true multi-culturalism, the waitress steered me towards a Thai salad and this vaguely spicy dish of shrimp. Curry in the sauce was a surprise, and made the sweetness more interesting.
Like many people, the French have long embraced Chinese restaurants. In Paris, though, they take a slightly different form than in other places. The ubiquitous “Traiteur Asiatique,” is modeled on the French Traiteur shops – something like a deli, where dishes and meats are displayed in cases, ready cooked and bought by weight. Differences in the quality or price of eggrolls or chop suey are enough to create lines at some shops and to leave others desolate. A mixture of national dishes and newly-invented standbys crowd the counters, their recipes geared toward assimilation rather than tradition.
As foods mingle in a new setting, they cease to really be anything other than a mixture. French food is, as a concept, a little static. In practice, it’s more colorful and noteworthy now than every before – especially in Paris, where diners accept change. In other French cities (with some exceptions, notably Marseille), there is French food and then there is stuff made by foreigners. Here, everything is French food that is cooked in a French kitchen. Assimilation is a beautiful thing not only for the newcomers, but for everyone. One only has to smell the different chickens cooking along Boulevard Belleville, for example: on a spit with spices here, simmering under wine there, tossed in a wok at another place, roasting in a tandoor, in a creole gumbo, in Ghanan Hkatenkwan.

What to Expect When You're Expecting Paris

As Merlin so eloquently put in an earlier post, this city has been the backdrop of so many movies and literature; its imagery is so recognizable to even the least traveled person. So, it's hard not to feel like you know exactly what to expect. Visiting Paris is something like renting a movie after seeing the trailer a million times - after it's won all the awards and you know at least one contrarian who thinks it's overrated. You turn it on and have this sense of déjà vu. You anticipate every plot twist. We arrived in the City of Light and this was the view out our window. Paris just can't help being Paris.
While the accordion players and mimes may be milking it for tourists, street performance is still a very real thing. Around the corner from the entrance to Notre Dame, this duo improvised a frenetic, intriguing performance that conjured up images of loss, mania and electrocution (at least to me). In Paris, live music mixes in the air with the shouts of small protests and zooming Vespas. There's a baguette in just about everybody's hand or bag, or strapped to the back of their bicycle.
We pride ourselves on examining a place beyond its most known characteristics, to experience a place beyond its cliches. But it would be dishonest to just deny the fact that most of the images or themes conjured up by the word "Paris" are ever-present. Men kiss each other on both cheeks and couples get hot and heavy on park benches. The people are affectionate and attractive. Though, at this point, The City of Love thing seems almost like a self-fulfilling prophecy. You get the sense that half of the people you see are on their honeymoon. This couple chatted with their photographer nearby Notre Dame.
Oh, the Notre Dame and the Sacré-Cœur and the Arc de Triomphe. At some point, though, you begin to take these things in stride. If you're us, you begin to think of the column at the center of the Place de Bastille as that thing that directs you home at the end of the day. This made me think of my life in New York and how I used to orient myself using the Empire State Building. This is probably the best part of any great city: everyday life just can't help but swell right up and around the extraordinary objects.
The first time I came to Paris, I was a teenager on my very first trip to Europe, harboring an unrequited crush. I noticed lovers everywhere - and the fact that everyone wears black. The second time, I was madly in love, traveling for the very first time with my boyfriend (who spoke French!) and noticed nothing but him. (Spoiler alert: we're still together). This time, strolling along the Seine, I couldn't help but notice the children. To be fair, they were rollerblading right at me. But it wasn't just a river for couples anymore. I saw it filled with families and people just trying to get home before the bottom of their heavy bag of potatoes broke.
Every so often, you see people with cameras raised up, as if in prayer, capturing that tall thing standing before them, for which they've made this cultural pilgrimage. And you'll take your own picture, too, because it's really very pretty. Paris has everything you're expecting, but you just may be surprised to find yourself more captivated with that tense game of frisbie going on than that certain something in the background.

Parisian Markets

In Europe in general, but in France in particular, it might seem that nobody buys fruits or vegetables. Stores tend to carry little uncooked food, even supermarkets seem understocked by American standards. The reason, of course is that most serious cooks buy their groceries only on certain days and only from another individual – in other words, at a market. Paris has a wonderful variety of food bazaars, with an emphasis on the neighborhood rather than on centrality.
It would be wrong to claim that the French have continued to shop the way they always have. In actuality, they've succumbed more than many to the supermarket. French people generally are prosperous, they have cars, they like variety in their diet and they have giant shopping complexes available to them everywhere - all ingredients for commercialization. If you go into any Monoprix or Intermarché, you will find people filling their carts with packaged food.
But the French also have a determined resolve not to turn their backs on tradition, and it sometimes seems that the proliferation of supermarkets has spurred something of a market-square renaissance here. Both buyers and merchants seem hungry to take part in a system that eschews sameness and offers something inimitably French.
At the concise Marché Belleville (Tuesdays and Fridays), on Boulevard de Belleville in the 20e arrondissement, white vans line the streets and nattily green-striped stands crowd together under leafy plane trees. Everything culinary is available – from frog’s legs to exotic fruits, spices to foi gras – but the vendors are fairly specialized, making shopping more about perusing than comparison.
The Marché Bastille (Thursday and Sunday), on Boulevard Richard Lenoire in the 11e, was the largest and busiest market we visited, with many more prepared foods. A kind of carnival atmosphere pervades the wide thoroughfare, with musicians and dancers performing for coins and a large contingent of tourists.
At the Marché Couvert Beauvau (Tuesday through Sunday), at the place d’Aligre, also part of the 11e, a small old market house contains meat, cheese and some canned goods. Outside, a long street overflows with vegetables and fruits. The smell of fish and cooking chicken drifts through the throng, wafting out from the permanent stores that cluster the periphery.
There is a change in the light between indoors and outdoors, and with it a shift in the centuries. Inside, the muted, dusty light and old metal grating evoke old Europe. It begs to be disbelieved as a touristy trick, but it isn’t. The people scurrying through the shadows carry baskets and crates, the mood is mercantile in a small, un-meditated way. Pates and Saint-Nectaires, anchovies and caviar are temptations. On the street, potatoes, lettuce and onions are things of utility. Outside, things are rushed and efficient - inside, it’s easy to linger and let the mouth water.
In Paris, there is something different about the markets. While there are still plenty of older women who haggle over pennies, there is also a different type of younger, more stylish shopper. People bring their children, they dress up, they are very interested in heirloom tomatoes (who isn’t, actually?). It reminds me of the American iteration, the “farmer’s market,” where the point is not only price or convenience, but partly the experience of shopping itself. It begs the question, of course, of whether the more exotic of the city’s offerings are meant to entice this younger set, who have likely turned away from the root vegetable and embraced the more obscure and delicate?
This market gentrification, if you will, helps distinguish between stands. In some countries, the volume of the seller’s voice is perhaps the greatest difference between bananas from one stand or another. Here, the origin of different goods actually appears to be quite different. Not that the vendors are quiet. They bellow and implore just as much as any of their foreign comrades and counterparts. The din invites nightmares about walking down these market streets alone, with no crowd around to cushion the shouts and demands.
Something I love about all market streets is the definite, unique patina that they acquire over time. Even when the stands have been packed up and the shoppers have all gone home to their kitchens, the concrete and stone itself seems to bear the worn imprint of a thousand frenetic mornings. The curbs and cobblestones are more polished from the foot traffic and the sweeping-up brooms, the shops along the sides are of a particular species not found on other avenues. It reminds me of a dry riverbed, where the rock has been rounded and the trees are of a different type – the landscape, even quiet and empty, shows the rush of activity that's shaped it.

03 September 2011

Searching for Jim Morrison

There's a lot to do and see in Paris, so sometimes you just need a little direction. At the suggestion of a family friend, a octogenarian who lived in the city for years, I went over to Père Lachaise cemetery in Belleville. It's the largest cemetery in Paris and feels like a city itself with about 800,000 residents - many of whom are famous. Very famous. So famous that more visitors come to Père Lachaise annually than any other graveyard in the world. Walking around is sort of like embarking on a bizarro Hollywood homes bus tour. Mansion mansion mansion Spielberg's mansion! Grave grave grave Proust! Upon arrival, I decided I needed direction once more and that's how I began my search for Jim Morrison.
When the cemetery was opened in 1804, people were less than excited about trekking all the way out to the 20th arrondissement for a funeral. So, in a brilliant marketing move, they moved the remains of La Fontaine and Molière over to the new digs. Since then, more have arrived. Most are French, some are super French (Marcel Marceau, I'm looking at you) and some aren't French at all (Chopin, Gertrude Stein & Alice B. Toklas, Isadora Duncan). I found Chopin when I noticed a small, huddled group in the distance. They all had their maps out and marked off the name on their morbid scavenger hunt. "I think Edith Piaf won the Nobel Prize for Science," one woman wondered aloud. I almost asked if any of them had found the Lizard King, but decided that success would be sweeter if I found it on my own.
I walked around mapless, aimless but for a memorized "address" for Morrison. It's easy to get lost in Pere Lachaise, not just because of its massive size, its boulevards and winding rues, but because there are so many things to look at. It's a veritable outdoor sculpture park, filled with every sort of grave marker imaginable. Some had no names at all, some had three generations' worth. A somber group of people drove to the chapel for induction of the newest resident and a group of workers renovated the tomb of one of the oldest. A young couple scrubbed at a gravestone together, lathering their loved one's memory up in high, yellow rubber gloves.
As I meandered, a man called me over in French. "This is a very famous French painter, Géricault" he told me after directing me to this site. He pointed out a few more to me "all French," before disappearing as quickly as he'd appeared. It must seem strange to him, that the most visited grave in the cemetery is an Irishman's - Oscar Wilde. I didn't dare tell him who I was on the prowl for. Here's the thing - I just really thought that my mother would like a picture of Jim Morrison's grave.
The newer memorials reflected more modern tastes and a lot were upbeat. Next to this guy was a similar marble slab with an artificial palm tree affixed to the top. Nearby, was a vertical stone that read "It Does Not Have Anything To Do With Anything." Seurat and Pisarro are both buried here and I would have liked to have seen how they were honored. But I was on a mission.A number of graves are opened or destroyed, a few seemed to have new names inscribed over old ones. People came in through the cemetery gates with big, plastic jugs - filling up at one of the available water pumps and then exiting. All of this - along with the fact that the cemetery is secular - gives the space a casual, lived in feeling as opposed to a dreary or austere one. I wish I could have taken better pictures, but the tree shading was flecked with sunlight. Every now and then, someone in a Jim Morrison (or, in one case, Val Kilmer) t-shirt would walk by, flipping through digital pictures contentedly. It gave me hope that my aim was somewhat correct.
Finally, tucked between tombstones and mausoleums, I found Jim Morrison. He's almost impossible to spot, but what do you expect when you just happen to die in Paris after spending five months of your life there? Prime real estate? He was originally buried with no marker at all, but soon the police placed a shield over it. Then, a bust was erected, but it was stolen (a new one is said to be in the works). A tree nearby has messages scrawled all over it, probably acting as a beacon for fans. Anyway, this one's for you, mom!

02 September 2011

Paris By Bike - a Reintroduction

I've never been on a bicycle in Paris, but plenty of other people have. Despite the paucity of bike lanes and awful traffic, this is a city of biking; a new observation, made today as the streets and boulevards reordered themselves in my memory.
A sensory recollection struck me a few days ago in Liechtenstein. Connected somehow to a map of the Paris metro, a ghost scent of the subway seemed to gather in the little gasthaus room. It's a peculiar smell - there's the sweet scent of urine, of course, but also a battery acid note, and an older tinge of dead leaves and autumn. Years ago, I spent parts of a winter and spring in Paris, and my laziness and the cold made the metro seem appealing in a way that's hard to forget.
Arriving here this time, the heat was striking. It's the hottest that the city has ever seemed, and the difference from the remembered weather has made Paris feel new. It's something like cleaning the glass that covers an old photograph and finding the image brighter and less nostalgic than imagined. It may be that Paris is partly imagined anyway, as a set for movies and stories, and as the backdrop to so much that we believe to be French. There is an immediacy in the heat that's less agreeable to one's fantasies.
September is like that too - hotter at first than remembered, not quite possessing the dusky clarity of autumn days. It's still summer for much of the month, we forget, and the sun still climbs nearly straight up into the sky. Maybe it's October that we're really thinking of, when the leaves are done falling and grimness has taken hold. Maybe Paris is more a solid assemblage of paintings and structures than a dreamscape. Of course it is - people go about their lives and buy bread and carry around packages every day. Their existence probably doesn't feel like a fairytale.
But there is something exciting about the city that's hard to pinpoint - the smell of the metro didn't so much bring back memories for me as it conjured up a concept that's bigger than the reality. Every time I come back, that feeling has been there. It has never seemed to grow duller. There is room here for reminiscences and exploration, which is not always the case in a place. Walking around is like wandering through a childhood home; it feels familiar even the first time, perhaps like visiting a home lived in as a toddler. Some things are always a little different than remembered, many things have changed, but there are smells and corners that leap into the consciousness of a stroll and make you remember, immediately, why Paris really is remarkable in some strange way.