The Full Irish

This is what an Irishman eats in the morning.  A "full Irish breakfast." Variation may occur in the number of components, but usually not in the style.  Of all the full-Irishes we saw, this one was the most complete. Two eggs, cakes of potato "mash," sauteed mushrooms, sausage, fried ham, toast, cooked tomatoes, baked beans and black pudding.  Sometimes there may be white pudding too, or perhaps some pan-cooked kidney. Contrary to popular belief, an Irish breakfast is not just a pint of Guinness.
We found this hearty specimen at The Courtyard Bar in Clonakilty, where, like many places, they serve breakfast all day.  Clonakilty is famous for its black pudding - which is spiced blood sausage fried in a pan. It's delicious.

At Dublin's Heuston train station, on our first morning in Ireland, the ticket lady was apologetic.  "Train's not for two hours," she said, looking us up and down.  We were foggy-headed and grubby from a long journey.  "Why don't you go get yourselves something warm to eat," she said.
The station restaurant (called Galway Hooker) had all the worn, wood-panneled appeal of any pub in the country - tatty couches, framed oil paintings, the smell of cooking eggs and singed toast.  There were men drinking, and families with bags arrayed around them like the sides of a nest.  A man stood behind a high counter with steam rising around him.  He stirred beans, cracked eggs, flipped ham, served customers and took a little time to sip his cup of tea.  Each breakfast component was priced individually - so much for an egg, this many cents for black pudding.  A blank-faced girl rang us up.  She was utterly bored by the beer and bacon.

Breakfast on the island doesn't have to be heavy and meaty.  There were plenty of "mini-Irish" offerings, which might include one egg, toast and some bacon. Some people had yogurt and granola. We even spotted a few pancakes here and there.  In Galway, at the comfy Ard Bia at Nimmo's, a relaxed crowd sipped cappuccinos and browsed their table of baked goods.

If there's a really Irish breakfast food, though, it's got to be porridge.  On a wet November morning, with fog over the fields and frost on the windows, its a great dish to sit down to.  Our favorite version was made for us by Gertie Ormond, at Kilcannon House.  Simmered in milk, the oats were topped with brown sugar, whipped cream and a shot of Irish whiskey.  "I like booze in my food," Gertie told us, with no attempt at humor.  It was delicious, but it made me want to get back in bed.
It was important to our hostess that we apply the toppings in the right order - first the coarse sugar, then the whiskey to "caramelize" the sugar, then the whipped cream to melt down over it all.

Gertie's breakfast didn't begin or end with the porridge - it was a three course, stuff-til-bursting, early morning extravaganza.  She greeted us, when we came downstairs from our room, with a quivering plate of freshly-made panna cotta, which she served with four different stewed fruits: prunes from the garden, pears cooked with saffron, poached apples and late-summer rhubarb, sweetened and spiced with ginger.  There was also fresh melon and scones, of course, and a foursome of handmade preserves (gooseberry, blackberry, etc...).  After the porridge, we were given a choice of eggs - on a menu, no less - from the "chuck-chucks" in the barnyard.  The first morning we had an herb-filled omelette, the second day we were given a chive scramble.  It was a meal designed to prepare us for the day - we certainly didn't need lunch.

Much simpler and quicker, the ubiquitous Irish oven goods usually sufficed.  Scones (like the rhubarb ones above, at The Bake House in Cashel, where old men ate beans on toast), crumbles, pies, cookies, barm brack, brown bread, cakes... walk a few steps in any town in Ireland and you'll come across the smell of something baking.  It's hard to resist the baking-soda lightness of a raisiny soda bread, or the sugar decadence of a hot berry crisp.

At Lemon Leaf Cafe, in Kinsale, we had the inevitable full-vegetarian-Irish: peppered potatoes, mushroom, tomato and spinach, but, curiously, no beans.  It was also the only breakfast we had with tea, which is really more Irish than coffee (despite "Irish coffee").  People here drink more tea per capita, they say, than anybody else on earth, and they certainly like their brew strong.  After a few cups, we were more caffeinated than we should have been.  I had to have a raspberry tart to calm myself down.

Things Irish People Like

Butcher Shops.  Just about every town has one.  In villages like Golden, where shuttered businesses are casualties of the recession, the butcher shop is still up and running.  Sure, people shop at the supermarket and you'll see bags from Durres Stores or Supervalu in the hands of butcher shop customers, but some things you save for the people you really trust.  The local butchers.

Green.  While driving around, even on major highways, we just kept gawking at how much it all looked like the Ireland of our imagination.  A rainbow here, a double rainbow there, cows and horses in the mist and the brightest green you've ever seen absolutely everywhere.  The color occurs so often in the natural landscape of Ireland, you'd think they'd be sort of tired of it.  Nope.  It's a little like St. Patrick's Day every day.  The mailboxes are green, windowboxes, doors, houses are all different shades of it.  It's a favorite in clothing.  It's a national emblem.

Turf Fires.  At the back of every pub, there's a fire burning and if you have the luck of being welcomed into an Irish home, there's probably one going in the sitting room.  You won't smell coal or hear the cracking and snapping of wood, the flame will smolder steadily and smokelessly for hours.  Because they're burning turf.  Turf bricks look like solid chunks of earth - which is essentially what they are, but with certain scientific properties that make them efficient forms of energy.  Fossil fuel.  They smell subtle and lovely and are so much a part of Ireland that this exists (You know how you can watch the yule log on tv in America?  Well, it's a turf fire dvd - with complimentary turf incense!)  Ireland is actually the world's second largest user of turf fuel, after Finland, and around one sixth of their electricity comes from turf-burning power plants.

Guinness. This seems like a cop-out, I know, but it's still worth noting.  We figured Europe's 4th biggest beer consuming country would be more like the top 3 (Czech Republic, Germany and Austria) in that there'd be lots of local brews to try.  But microbreweries in Ireland really don't stand a chance against the loyalty to Guinness.  It's the best-selling alcoholic drink in the country.  It's the most popular beer by far and, in most places, the only Irish one on tap.  While we stuck with Smithwicks (an Irish red ale) and Bulmer's (an Irish hard apple cider), everyone around us drank Guinness.  Oddly, the other beers on tap were usually Carlsberg, Budweiser, Heineken and Coors Light.  It's like they're actively trying to make Guinness taste even better by comparison.

Vegetable Soup.  This isn't to say that Irish people like vegetable soup more than, say, steak & kidney pie or Irish breakfast.  It's that they like a very specific soup, called "vegetable soup."  In my experience, describing a soup as "vegetable" can mean any number of things.  Tomato based, cream-based, pureed, chunky, brothy.  In Ireland, vegetable soup is an orange puree, a mix of carrot, onion, potato - maybe some squash, maybe some celery or peas.  Spices may vary, but the overall taste and look is the same.  It's always delicious, always served with a slice of brown bread and some intensely good Irish butter, and always available.

Preserving Storefronts.  There must have been a time when walking down a street in Ireland was like flipping through the local phone book.  The old facades on pharmacy's, general stores, pubs and grocers spell out a family name. You didn't name your saddle shop "Horse's Friend" or anything like that.  You named it "Connolly's" if that was your name.  These storefronts are now like old family albums in many villages, towns and even cities.  No matter what's inside the space, the name is kept the same.  It may have begun life as R. A. Merry & Co. Ltd, but now it's a great gastro pub simply referred to as "Merry's."  Pat and Gertie Ormond's cafe is now a restaurant with different owners, but is still called Ormonds.  Their contribution to the town and place in local history remembered.

Honorable Mentions

Discussing Politics.  Of course, this is basically the only country we've visited where we can understand all the conversation going on around us.  But even context clues would have brought me to this conclusion.  It's rare to see more newspapers in hands than magazines, and not tabloid newspapers either.  The real factual stuff.  Pub interaction often involves an older (and drunker) man 'schooling' a younger (and soberer) man, who listens politely and very respectfully disagrees.  Specifics about EU policy, trade agreements, parliamentary salaries are all widely known and energetically discussed.  "Who are you voting for?" we were asked in the run-up to the election.  It's not a "personal" question here. (Should it be anywhere?)  It's a topic of discussion.  And boy were they informed about American politics.  Which brings me to...

The Irish-American Connection.  Sadly, we were just about the first American couple most Irish people had met without a smidgeon of Irish between us.  (Even President Obama has a distant Irish cousin. I know this and that his name is Henry Healy, because he was the talk of the pub). But, we're still American, which made us kin anyway.  "There are 70 million Irish descendants in America," one man said proudly, acknowledging that the wealth of Irish in America has made the scope of Irish culture in the world larger than its geographic size would suggest.   At a pub, a young man asked for the tv channel to be switched from soccer to US election coverage.  They take what happens in America personally.  We're family.

Castle Hunting: Cahir Castle

Having brought the Army and my cannon near this place...  I thought fit to offer you Terms, honourable for soldiers: That you may march away, with your baggage, arms and colours; free from injury or violence. But if I be necessitated to bend my cannon upon you, you must expect the extremity usual in such cases. To avoid blood, this is offered to you by, Your servant,
Oliver Cromwell.
On the 24th of February, 1649, a fifty year old religious zealot - who was banging around Ireland with the full strength of the English cavalry - conquered Cahir castle with a letter.  It was one of the low points in the island's history, and one of the most embarrassing moments in the history of a proud fortress.

We first saw Cahir castle in the rain, as we were waiting for a bus to Cashel.  From across the street, in the dry confines of a local cafe, it didn't look like much more than a small keep and scattered towers.  It's not until you go around to the back that the full size of it is apparent.  This isn't huge for a castle, but it's very expansive for Ireland, where fortresses tend to be small and simple.
Built in several stages beginning in the 12th century, Cahir occupies a rocky position on a small island in the River Suir.  With water on two sides and a strong foundation, it was an obvious place for a fortress; hill-forts built of both wood and stone had occupied the spot for at least a millennia before the current keep was erected.

Oliver Cromwell was a curious man. Born into a middle-class family, he became one of the most powerful civil and military leaders in British history.  His bludgeoning style of warfare was at the center of the English civil war, and by the 1640's and '50's he was perhaps the key figure in the conflict.  His was the third signature on King Charles I's death warrant.  But perhaps the most well-known aspect of Cromwell's personality is his severe Protestant puritanism.  The man simply hated Catholics.  This meant that his invasion of Ireland bordered on genocide.  When he did "bend" his cannon, very little was left afterward.
With several overlapping curtain walls and a convoluted gate system, the central part of Cahir was designed to be very difficult to attack.  Despite rough masonry (some of the inner chambers look like they've been pieced together with field stones) and a highly desirable location, the castle was never taken by an invading army before the advent of gunpowder.

That all changed in 1599, when Elizabeth I sent troops and artillery onto Irish soil.  After a three day bombardment, the castle was captured for the first time in its existence.  Back in Irish hands soon after, Cahir was expanded and "improved" during the first part of the 17th century.  The outer walls were lengthened (I have no idea why) and rounded fortifications were added at the gatehouse and at the rear of the keep - rounded angles held up better against cannon fire than the older, square designs.
A great deal changed between 1600 and 1650, though, and the architectural disadvantages of the fortress became more and more apparent.  When Cromwell invaded Ireland, he came with lighter and more maneuverable guns that could be brought into range quickly and more easily than the mammoth siege weapons of the past.  Also, the new guns were actually being aimed, which sounds simple but was actually a departure from tradition.  A great deal of thought had been put into cannon warfare by the British, especially by the Englishman Nathaniel Nye. A science had arisen around the triangulation and mathematics of gunfire.  Instead of just lining up guns and hoping to hit something, Cromwell was battering fortresses with a smidge of accuracy.

Cahir remains one of Ireland's best preserved castles because - in short - they gave up at the right time.  Cromwell's forces were much stronger and more modern than anything the Irish had encountered up to that point, and the castles he was conquering weren't designed to hold up against gunpowder weapons.  High towers, square angles, a tall keep; what had been effective against previous generations of assailants were now a liability.  Large guns could attack from a greater distance, out of range of the castle's own weapons.  The high crenelations that had once provided a height advantage now made for especially large targets. Tall towers could be knocked down fairly easily, presenting the defenders with an additional danger of falling stone. Thin, walk-along ramparts offered no room to maneuver cannon, and so the garrison inside had to rely on antiquated crossbows and scattershot, underpowered muskets. Despite being somewhat "modernized," the Irish stewards hadn't really addressed any of these issues. Cahir was, in the 17th century, a dinosaur.
The motley group of conscripts who were defending Cahir had never seen cannon, and were terrified of what might happen to them if Cromwell did attack.  They gave up quickly and the Governor of Cahir turned over the fort to the English without a fight.  It's lucky for us castle enthusiasts.  Other Irish forts didn't fare nearly as well.

In all, some one hundred fortresses were destroyed by Cromwell during his campaigns.  He blew them up for harboring Royalists or ordered them "dismantled" so that they couldn't be used by the opposition.  Some see Cromwell's reign as the true end-point for the medieval castle in Ireland and Britain - the older style fortresses were simply out of date.
Cahir is now - as it has been since it surrendered - a very peaceable place.  It's hard to call it peaceful, because of the traffic that booms through town and over the castle bridges, but the setting is pleasant and the walls are sunny.  Ducks and swans paddle in the river-bend, a small farmers market was happening when we visited.  Cahir town is a pretty, colorful collection of old houses and pubs.  One can't help but think that the town is better off for having given up - they still have a castle, at least.

The Belvelly Smoke House

"We make smoke, that's what we do."  Frank Hederman had just walked in to greet us at Belvelly Smoke House, his smoke house and the oldest - and only - natural smoke house in Ireland.  He couldn't have come a moment sooner, as we'd just had a rushed interaction with one of his colleagues who, outfitted in gloves, white coat and hair net, had opened the door to the cold smoker, pointed in, closed it and unceremoniously given us a taste of their smoked salmon.  It had taken us quite a while to find the place and we were a little crestfallen about the blink-and-you'll-miss-it tour.  So, like I said, Frank couldn't have shown up at a better time.  With him, we lingered at the door of the smoking room.

A batch of smoked salmon had just been brought out and, with us out of his hair, the white coated gentleman of few words was going about the business of checking for stray bones and sealing the gorgeous orange slabs in plastic.  Now hanging in the smoker were sides of haddock.  On shelves beside them were all sorts of other treats, which Frank introduced to us one by one.  "We smoke butter, sun-blanched tomatoes, garlic."  He took one of the heads in his hand and showed us its slightly bronzed color.  Mussels, hundreds of them, covered long trays.  "The way they hold flavor..." he gushed.  They even smoke oats for a man who makes oatcakes.  "We're like Tabasco or Lee & Perrins," he said comparing his smoke to a condiment.  "Just adding a little bit of flavor."

The difference here is that they're not bottling the smoke, they're letting it waft over salmon, haddock, whole mackerel, silver eel (Frank's favorite) and all those other non-fishy delights.  And even if he is kind of "in the business of making smoke," what Frank Hederman's renowned for is his smoked salmon.  So, maybe the Tabasco reference is more apt because of the unique mastery of that little bit of flavor.  There's hot sauce and then there's tabasco.  There's smoked salmon and then there's Frank Hederman's smoked salmon.  After you've tasted it, it's hard not to feel like all the other smoked salmon you've had has been too salty, too oily, too strong, too smokey, "messed with too much" to borrow a phrase from Gertie.   There's a reason gourmet shops in London, fine dining institutions and even the caterers of Queen Elizabeth's birthday party, all call on Frank for his salmon.  It's sorta perfect. 

"Salmon gets you access," Frank said with a wry smile after a string of stories about boating with the Kennedys, staying in a London penthouse on the dime of Russian restauranteurs, inking a deal with gourmet markets in Dubai.  At a pub, I may have joked, "are you blowing smoke?"  In his smokehouse, after tasting the product, it was pretty clear that he wasn't.  The stuff is that good.  The anecdotes were regaled with a normal-guy-in-extraordinary-situations candor.  I mean, as 'normal' a guy as any minor celebrity who was profiled in the New York Times as the Steinway of smoked salmon.  ("Mr. Hederman smokes fish, which is a little like saying Steinway makes pianos")   Frank's been at this for 25 years, honing the craft/perfecting the science/mastering the art/making a name for himself and his product.

It starts with the fish, of course, farmed in Clare County, on the western coast of Ireland.  Sometimes he uses wild salmon, but the sustainability of the organically farmed fish is appealing and the quality more consistent.  Of course, they've been treated like gold.  Only the best.  Then, within 24 hours of being fished out of the water, they're in Belvelly Smoke House, near the southern coast, being filleted, salt cured and hung up in the cold smoke room.  "Did you notice how it wasn't oily at all?"  Oh, did I.  Hanging keeps the fish from developing an over-smoked crust and from sitting in its fat. Suspended, the salmon bathes in smoke piped in from the next door burning chamber.  Instead of oak, Frank uses beech, a wood with less tannins for a much more subtle flavor.  The beech chips come from the UK, all a specific size for precise burning speed.  Then, anywhere up to 20 hours later, the famous salmon is done.

Belvelly Smoke House is tucked at the end of a gravel drive away, just a few feet away from an old stone arched bridge and a ruined castle tower.  It doesn't get more Irish than this.  Frank lives in the house right beside it with his wife and children - he swears he can't even smell the smoke anymore.  It's a small batch operation, a careful, thoughtful business that turns out a luxury product at its most delicious.  We had our Irish-smoked Irish salmon this afternoon for lunch, at a picnic table on the side of the road, on crackers with English mustard and an avocado from who knows where.  We were sure to cut it just like Frank told us to, not at an angle or by skimming off the top, but in a slice straight down top to bottom.  "That way you get all the layers of flavor."  My jacket still smells like beech smoke.

Gypsy Kitchens: Baking with Gertie

"Gertie is responsible for bringing lasagna to Dungarvan," Pat told us proudly, but she's really famous for her scones.  In a local pub, we were told we just had to try them.  "You're staying at Kilcannon House? You have to have Gertie's scones."  Pat and Gertie Ormond had a cafe in town for years, one which churned out hundreds of scones and breads per day along with full breakfasts and lunches.  That sort of thing can get exhausting and, unfortunately, none of their three children had an interest in carrying on the family business.  So, now, it's the guests at their in-house B&B, Kilcannon, who get the honor of enjoying Gertie's cooking.  And, in our case, a cookery class with the master herself.

Baking with Gertie wasn't as much instructional as it was experiential and recipes were certainly not the focal point of the session.  In fact, the first lesson we learned was that there doesn't need to be anxiety about the exactness of baking or bread making.  There's always this feeling that 'baking' is more precise, scientific, mathematical than 'cooking,' and that a close focus and carefulness are key.  Gertie's school of thought was much different.  Sure, she knew all the measurements by heart, but questions about if a spoonful should be 'heaping' or 'leveled' or a 'handful' was the right size were always shrugged off with a "that's perfect!"  If we get our hands in there, she stressed, we'll feel that it's right.  Her process was one based on physical memory and an interaction with the ingredients.

Really, we were moving too quickly to take full head of every step of the process(es).  You see,  in about an hour and a half, we made two types of scones and two types of soda bread simultaneously.  One of us worked on one while the other was given a task for the other and all the while, Gertie moved between us taking our hands to help or taking over altogether.  It was more Show than Tell, more Feel than Measure.  She wasn't trying to teach us how to make scones or soda bread, but really how to bake.  Like pushing someone on a bike and then letting go, she was gave us the feeling of doing it, of hitting the sweet spot and trusted that we'll be able to get back there on our own.

This isn't to say that there was anything absent-minded or lackadaisical about baking with Gertie.  There was a process and a science, just one that had less to do with measurements and more to do with the chemistry of it all.  There was never a direction without an explanation, which is a hallmark of good teaching.  You've gotta understand to remember.  She stressed never letting your dough sit too long after adding baking soda, because of the chemical reactions.  Also, adding too much baking soda to white soda bread will make its color brown, because it burns.  A left hand was submerged in the dry mix before buttermilk was added with the right, that way we could feel our way to the perfect amount of liquid.  Something that was of the utmost important was air, "letting lots of air in."  The white flour was sifted three times to get as much air in as possible. 

Ingredients were combined with a soft touch for more air.  Instead of breaking the tabs of butter up inside the dry mixture or folding the raisins or cheese in, we were told to put both hands down deep into the bowl and bring the mixture up and out, letting it all sift through our fingertips.  It was a motion akin to tossing spaghetti, intermingling ingredients instead of mushing them together.   Another trick of the trade was to be careful about adding too much flour.  "That's what makes scones too hard."   This meant minimal handling of the dough once it was plopped down on a floured surface.  Messing with the dough too much also hardens it

Gertie's methods ensured that the scones wouldn't be hard and the soda bread wouldn't be dense.  What's funny is that we always thought hard and dense were words that were supposed to be associated with scones and soda bread.  It was a little like going to France after a lifetime of eating croissants and having someone tell you that they shouldn't be moist or doughy.  Because it's only the real deal croissants that are crusty and flaky.  The ones you don't come across all that often. At the end of our whirlwind baking session, we had a dozen cheese scones, a dozen raisin ones, a loaf of white soda bread and a load of brown.  Every morsel was fluffy, airy, pillowy.

Pat came in just as we were setting ourselves down beside the heaps of warm baked goods and afrench press of coffee.  "Did a little cooking?" he asked, bemused.  "She does this every morning," he said rolling his eyes and slacking his jaw, an expression of bystander fatigue and marvel.  And, indeed, as we said our goodbye the next morning, with a dozen or so scones and a loaf of bread still left over, Gertie went into the cupboard and got her handy 3 gallon container of cream flour.  "The kids are coming over for lunch, so I've got to get started!"

Tricks of the Trade

Sift your white flour three times for airiness
Once the baking soda is added, don't let sit too long
If you're white soda bread isn't perfectly white, there was too much soda in it
Never add egg-wash to the sides of your scone or pastry, it will weigh it down from fluffing up
Or just skip the egg wash altogether. "I wouldn't crack an egg for it.  It's only worth it if you have some egg left over or if you really want to impress someone. " - Gertie
Cut the X into the top of a round loaf with a scissor.  A knife will tear the dough.

Gertie's Top Five Baking Tips (which could also be general advice for life)

Lots of air
Don't mess with it too much
If you feel it, you'll know
Gotta get your hands dirty
Show it who's boss/Handle it gently (whichever is applicable. choose wisely)

Grey Stone Studding Green Grass: Irish Ruins

With mud on our boots and hawthorn-scratches on our arms, we've wandered Ireland's Autumn lands.  In the background? Cawing crows, manure laid on tilled earth, big places and important things that have been covered over by time and moss. Some of Ireland's greatest sights lie in cow pastures.  Walking the Green Isle's back lanes and marshy meadows, we've seen countless ruins and decaying piles.
People come to Cashel to see the Rock, the venerable citadel of the kings of Munster.  But we found the old seat under re-construction, half obscured by scaffolding and tarps.  We never went in. From the hilltop we caught sight of another stony relic in a field below that flared our imagination even more.  Hore Abbey (funny name) is like so many secondary sights on the island: neglected, beautiful, lonely and worth the walk.

On a bright day in County Tipperary, we set off on a ramble between Cashel, where we were sleeping, and the nearby town of Golden.  The public trail was closed because of potential flooding, but we followed it anyway, figuring we could always turn back if the water got too high.  The path hugged the swollen River Suir, crossing electric fences and stone stiles, taking us by Holsteins and tractors.  For some miles the walking was never worse than muddy, but after a while it became necessary to continue on an inland road - the river was a bit rambunctious, the ground really sodden.  At noon, we were able to eat our egg salad sandwiches, satisfied, beside the water in Golden.
Golden is like so many Irish small towns affected by the recession.  There were more closed storefronts than open - of the three pubs, only two seemed in good working order and a little butcher's was the most lively spot among the blank windows.  There was a steady stream of traffic on the road, but nobody was stopping.  A woman at the Spar grocery (which seemed to have replaced an older grocer's) told us we should continue on to Athassel Priory.

"It's only twenty minutes" she said.  "It's very popular with the tourists and the photographers." She may have meant that it was the most popular spot in Golden, but it's hard to think that too many people really come here, even if it is a beautiful place.
The abbey is reached by a low medieval bridge over brackish water.  Goat willows and reeds were sunk in the muck, and cow patties are littered here and there in the field, but once inside the ground was firm and dry and close-mown.  A few birds were still in the chinks and holes where they'd built their nests, high up on the soaring walls.

Athassel was once the largest abbey in Ireland, built during the 13th century by Augustinian monks.  In the early centuries of its life, the walled brotherhood was at the center of a thriving village, and there may have been several hundred monks living in the complex.  The village was burned down twice, though, and now all that remains is a convoluted, sprawling stone shell.  This cluster was once the gate house.  Now, only a little cattle-gate is still in place, to keep the nearby animals out of the abbey's center.
In the massive nave are a collection of headstones - some were placed back to the 14th and 15th century, some are as recently dated as the 1980's.  Faceless statues stand along the walls and waterspout gargoyles jut from the crumbling crenelations.  We could see our own footsteps in the grass, and the marks of one car in the soft earth, but otherwise there was no sign of recent humanity.  If you want to feel great solitude, standing in the shadow of antiquity can deepen the sensation.

On that walk along the Suir, we talked about how intricate the Irish countryside is.  Centuries of stonework crisscross the fields and glens - walls for sheep and stoned up ditches, old springs and little crosses in the woods, forgotten monuments and weedy tombstones - and it's difficult to walk more than a few hundred yards in any direction without coming across something from a previous generation.  The cows don't pay any mind to the feudal-age rock walls around them, or to the old barns where they're milked - we, on the other hand, find it intoxicating.  It's the essence of old-stone Europe.  It's the quiet thrill of blackberry bushes and unfaded green, a land that feels eternal.
And, just as we were getting ourselves worked up, we spotted this tumbledown tower house across the water.  We could never figure out what it was called, or anything about it.  Just another pile of stone, surrounded by fences and bracken, sitting quietly in the autumn sunshine.

In the forests near Lismore, some miles to the south, a very different kind of ruin lies hidden in crawling vines and overgrown oaks.  The Ballysaggartmore estate is more modern than the others, built not for defense but for vanity. For mossy, branch-covered intrigue, this is the place to go.
In the countryside around, the hidden "towers" are legendary - everyone wanted to know if we'd been or were planning on going.  "They paved the river with cobblestones, they put up huge towers and planted dozens of oaks," we were told by one woman.  "And then, before they could get started on the real castle, the money ran out."

The Ballysaggartmore towers are two large architectural follies, built in the 1830's by a man named Arthur Keily-Ussher in an attempt to please his young wife.  Keily-Ussher was a terrible landlord, by all accounts, who leveled the houses of tenants who couldn't pay his high rents - this during the great famine, no less, when the people who lived on his estate were starving.  The "castle" towers were to be the gates to a palatial new home, but money became scarce and the actual house was never built.  Some accounts say that his wife left him when she didn't get her castle.  Others say she was too embarrassed to go out anymore.
Today, there's a very atmospheric walk up along a stream, past the first gates - which serve as a bridge - and up to the second, gothic revival structure.  Weeds grow from cracks in the stone, the old iron gates are rusted and swing loosely on their hinges, the forest around is creeping ever closer to the walls.

We walked around Hore Abbey at dusk, as the dew was settling onto the grass and the air was beginning to feel like frost.  A few other people were roaming around, casting long shadows across the fields and murmuring in hushed tones.  We all kept our distance from one another, appreciating the quiet and the beautiful, broken spaces.  Inside, the medieval chambers were surprisingly well-preserved, even without their roofs.  The earth floors looked as though they'd just been swept.  Outside in the scraggly weeds, a few gravestones tilted beneath crabapples.  Their inscriptions were too worn to read.

As the darkness gathered around us, the black outline of the abbey - the nave, bits of an old cloister, some other surviving walls - began to take on more and more character.  It was difficult to tell in which century we were standing.  Hore has been abandoned for nearly five hundred years. The sheep and spongy grass around it haven't changed.  The romantic feeling at sunset is just the same.   

Galway, Sunny-Side Up

Six young Irishmen in Galway pile on top of one another, swinging and grabbing at each other, red-faced and hyped up.  That sentence would mean a whole other thing after nightfall.  But on an afternoon in South Park, outside the pub-ccentric city center, it is just the scene of a rugby practice.  Galway by day. "Vibrant" is a word that gets used a lot to describe cities, but Galway really embodies the word most fully to me.  The vibration of string instruments in its streets, the energy of the student population, the ebb and flow of the water in its bay, the brightness of the green and blue backdrop - all a version of vibrancy, all the epitome of Galway.

It would be so easy for daytime Galway to feel like a hangover.  Most places that play as hard as it does just don't rise with the same vigor as they fall.  Sleepy mornings and empty beer bottles would seem fitting after evening trad sessions and nighttime brawls.  But that's just not how Galway rolls.  Bright and early, the pubs open, new kegs are rolled in on dollies by white-coated delivery men.  The jewel-toned pub exteriors with names like Foley's and Gallaghers and The Old Hen painted in gold look as brilliant in the sunlight as they do under streetlights.  Irish breakfasts and pots of tea are the order of the morning.  The smell of toast fills the air, calling you down through your hotel window.

Secondhand shops and record stores, crafts shops selling authentic woolen products from the nearby Aran islands, bakeries, cafes are all opening up.  This is daytime Galway, a plethora of charming places that close before sunset.  There's maybe a sliver of time when day Galway and night Galway coexist, like those evenings you can spot the moon before the sun has gone down.  But mostly, they're flipsides, and if your experience of the city is purely vampiric you may never know places like Sheridans Cheesemongers, Griffin's bakery or Goya's cafe exist.  At Goya's, savory pies in the window, like steak and kidney, lured us in; the carrot soup with buttered brown bread and chicken liver pate won us over (especially Merlin, who declared it the best pate of the trip).  The spot, tucked away on Kirwan's Lane, is one of many bright, wonderful cafes open only for lunch and afternoon tea, places that vanish before nightfall. 

During the day, that smell of toast, of pies, of scones may pull you down streets and have you sniffing out their sources around corners.   Perhaps the smell of fish and chips will lure you down to McDonagh's at the end of Quay Street.  And that's when you'll collide with the unmistakable whiff of salty sea air and meet Galway city's other half, its harbor.  Testament to the pleasures within the city, it's almost easy to forget Galway is set on a bay of the same name.  A perfect line up of old houses rise up from the eastern side of the central inlet. They are mostly white with some light blue and yellow and one painted red like a motivational poster about uniqueness. 

Galway's Bay can feel postcard-cheery one minute and mysterious the next, depending on the weather and the mood.  It's always that way with seasides, I guess.  There's the promise of the voyage and the homecoming, and also everything washed up and left behind.  Brilliantly green moss covers most everything.  The stones have a sense of age rivaled only by the ocean floor.  Arriving at the harbor in just a few steps from all the action of central Galway is a lot like hopping onto the silent car after a mad dash through the train station, then watching the world blur by in streaks of color.  A breather just as exhilarating as the rush.

To keep the train station thing going, the harbor is also where you find Galway's hookers.  (Ha!) Turns out, a "Galway hooker" is a type of boat different than the ones above; they're traditional racing boats with a semi-unfortunate name.  In a description we read, they were described as "small, tough and highly maneuverable," which only made me giggle more.  Anyway, if you google "Galway" and the search bar guesses your next word is "hooker," this is why.  Don't be alarmed. There's nothing fishy going on in Galway Bay.  Well, there is, actually.  Seafood, which it's chock full of.  There's a mix of farming and collecting these days, both methods producing enough fish and shellfish to export in huge numbers out to France, Spain and the UK with enough leftover to enjoy at home.

A place famous for its drinking options, Galway really doesn't get enough credit for its food.  It is absurdly easy to eat extremely well around the city, proof that the residents' great taste and high standards don't stop just at trad music.  Of course, the awesome local oysters are widely available.  (This is probably the only place in the world I'd ordered raw oysters at a dive bar).  But you also have a plethora of other local seafood and produce being crafted into some seriously great meals.  At Ard Bia at Nimmo's, in an old stone building with big windows looking out at the bay, we waited out a rainy spell over seafood chowder with mussels, smoked cod, sea trout and clams.  It was atmosphere in a bowl.

We walked along The Prom, the promenade between Galway's harbor and the suburb of Salt Hill.  There were joggers and people walking dogs.  A man taught his daughter how to cast a line, that rugby team practiced.  A road led out to a lighthouse with the Aran islands visible in the distance behind it.  We walked along until a sign told us further access was prohibited - and we wondered how many signs in how many other countries told us not to trespass, but we couldn't understand.  Some city's have momentum because of crowds or traffic or a beat that everyone drums to.  Galway has a different momentum, one that is self defined but still constant.  There are so many options and outlets, watering holes, strolls and speeds to choose from that you keep on going.  You bounce from one to the next.  Sometimes to a soundtrack of trad music, sometimes to the lapping of the sea.